In this
paper the discussion of what is ethnographic writing is discussed. More than
that, the various essays bring up different claims on the efficacy and legitimacy
of ethnographic writing when rhetoric is involved. Essentially the argument is
whether or not the literary aspects added to ethnographic writing dilute and/or
embellish the truths of the writing itself. A claim is that literature, like
most art, adapts and changes over time and utilizing “flowery” writing as it
were, puts ethnographic writing into that same category as fiction. The other
side of the story is that ethnographic writing is fiction, to an extent. It is
someone’s version of what they believe a culture to be, seen through their own culturally
biased eyes. The use of rhetoric and literary techniques simply allows for the
broader message to be delivered in a more pleasing package. Some view this as
deceptive, while others view this as not just a necessary evil, but necessary
as a whole.
For me I
side with the claim that embellishing the writing is a good thing. It allows
the words to come across as not dry and boring, but exciting as well as
informative. The study of different races and cultures is a fluctuating thing, as
races and cultures aren’t just stagnant. Perhaps this style makes the writing
less scientific, but from a scope of the grand narrative of culture and civilization,
this seems like a proper way to treat this particular form of scientific study.
Plus the dry way is just absurdly boring.
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